Tag: review
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A Very, Very, Very Fine House
People cannot sing songs or write poetry on the subject of home without it reverting to an ode to the every-day, to those simple, “meaningless,” and “ordinary” things … that are actually just so goddamn important to us. That are, it turns out, everything.
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Tan Dun’s Soundscape Monument for Mothers, Daughters, and Sisters
Tan Dun has called his Nu Shu a “soundscape monument for mothers, daughters, and sisters.” “Monument” is a good word choice. Despite all of the amazingly ambitious and wonderful music this composer has already made throughout his life, I can’t imagine anything will top this piece, and all of the real, human mythology surrounding it.
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John Adams and the Noir of January 6
Composer John Adams conducts the Seattle Symphony on the anniversary of the insurrection, January 6, 2022.
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Mother Russia, No America
Sooo…. The “great transformation” going on in the play — about Russia, and a society being slowly turned into a murderous oligarchic libertarian capitalist one –- should obviously remind us all, right NOW, of … Covid?!
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We Are the World. We are the Cello. (Jan Vogler’s Cello….)
Bao was rightfully back to her baton — this piece got so crazy, and oftentimes so fast, it would have been impossible to keep these bunch of drunks in sync without a stick with which to beat them!
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Jinkxies! — “Get Ready Bitches ‘Cause It’s Monsoon Season!”
“Get Ready ‘Cause It’s Monsoon Season!” is what Jinkx proclaimed as she was crowned the winner of RuPaul’s Drag Race in Season 5. Well, it was a slowly increasing pitter-patter (delayed, in part, by the plague), but Jinkx is now starting to truly feel more like a downpour. I think Monsoon Season is really here…
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Macbeth and Macbeth and Macbeth: Three Weird Macbeths
More power to Daniel Craig for trying to get our butts in the seats for a Shakespeare play! He doesn’t HAVE to do this. You get the feeling he WANTS to do this. I take it back – give the tickets out to the unruly high school kids. It’s the whole point. Go stars, go! …
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Laurie Anderson’s Moby Dick, Spoleto Festival Review 1999
“Up front, like Ahab guiltily admits in the beginning of Laurie Anderson’s Songs and Stories from Moby Dick, “I’ll be honest with you, I’ve never read the book! It’s too big!” … Unfortunately, the show’s not much more than that: a “reading’s cool” PSA for technophiles.” From the S.E. Barcus Charleston City Paper archives, 1999.
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Kurt Weill’s Die Burgschaft, Spoleto Festival Review
“Die Burgschaft is the story of Mattes and Orth, two men in the mythical land of Urb who witness the gradual and tragic degradation of their trust in one another because of the dividing and corrupting influence of money and power.” From the S.E. Barcus Charleston City Paper archives, 1999.
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Henry Purcell’s Dido and Aeneas, Spoleto Review 2001
Many in the audience seemed truly touched by this “jewel of Western opera repertoire,” as Director Chen Shi-Zheng has called it.
S.E. Barcus 